The Wolfsonian—FIU has
a large collection of Dutch artifacts dating from circa
1880 to 1940. The collection covers a range of materials,
from glass to textiles to furniture, and includes the
application of rare decorative techniques such as batik.
In addition, there is an extensive collection of design
drawings. The Dutch collection focuses on themes and
subjects such as city life, industrial progress, and
a variety of social issues. In the Netherlands socialism
was an important political factor, and the collection
contains artifacts and designs for building and housing
that demonstrate the involvement of governmental institutes
and societies with the daily lives of the lower and middle
classes. Within a social and political context, the collection
also explores Dutch colonialism in Indonesia, Surinam,
and South Africa. Progress in 20th century transportation
by means of train, aircraft, and ship is reflected in
memorabilia and objects connected to railway, aviation,
and navigation companies. Often these can be linked to
former colonies, and connected to foreign trade. Political
items such as posters, medals, and pamphlets, highlight
the Dutch position in both World War I and World War
II, and touch on relations with other countries.
The Wolfsonian—FIU library houses an unrivaled
collection of Dutch "Nieuwe Kunst" (Art Nouveau
or "new art") bookbindings, and decorative
and ornamental ephemera produced in the Netherlands between
the 1890s and 1920s. Much of the Dutch Nieuwe Kunst work
represented in the library collection has been influenced,
in part, and distinguished by themes, motifs, and techniques
(such as batik), introduced by the Dutch East Indies
colonies. Many of these items are characterized by geometric
representations of plants and animals, and also demonstrate
a holistic concern for symmetry typical of Oriental art.
Library holdings include several thousand rare book
covers, calendars, proofs, advertisements, and original
sketches. There are also excellent runs of important
and beautifully designed periodicals such as De Architect,
De Arbeid, Onze Kunst, In Den Nevel, and Wendingen. Some
of the most noteworthy Dutch artists and designers of
the turn of the century are represented in this collection,
including Jan Toroop (1858-1928), L. W. R. Wenckebach
(1860-1937), C. A. Lion-Cachet (1864-1945), Gerrit Willem
Disselhof (1866-1924), Theodoor Nieuwenhius (1866-1951),
and Chris Lebeau (1878-1945). |